b. Santa Fe, New Mexico, 1989, lives in BK, NY.

2015       MFA, Yale School of Art, New Haven, CT
2011        BA, Bard College, Annandale-on-Hudson, NY


2019–2020    Asian Art Archives Leadership Camp, Asian Art Archives, Brooklyn, NY
The Montello Foundation, Montello, NV
The Rauschenberg Foundation Residency, Captiva, FL

2017–2018    Sharpe-Walentas Studio Program, Brooklyn, NY Søndre Green Farm Residency, Noresund, Norway

2017        A-Z West, Joshua Tree, CA

2016        The Ucross Foundation Artist Residency, Ucross, WY

2014    Donald C. Gallup Research Fellowship, Beinecke Rare Books and Manuscripts Library, Yale University, New Haven, CT
The Josef Albers Foundation Traveling Fellowship, Bolivia, Peru, and Mexico

2012        New Mexico School of Poetics, Ojo Caliente, NM


2021        Tilton Gallery, New York, NY (forthcoming, September 2021)
Moonrays, Koki Arts Gallery, Tokyo, Japan
Ma/Ma, Lora Reynolds Gallery, Austin, TX

2020        Outlooks: Martha Tuttle, Storm King Arts Center, New Windsor, NY (2020-2021)
Constellations I drew in Nevada, Luce Gallery, Turin, Italy

2019        The Dance of Atoms, Rhona Hoffman Gallery, Chicago, IL
Baccante By The Sea, Geukens & De Vil, Knokke, Belgium

2018        As it resembled a bird, it was as if she could fly, Geukens & DeVil, Antwerp, Belgium
Oracles, Luce Gallery, Turin, Italy
I long and seek after, Tilton Gallery, New York, NY

2016        Metaxu, Tilton Gallery, New York, NY


2021    Light Stone & String, Halsey Mckay Gallery, East Hampton, NY
44 Signs of the Times, Mana Contemporary, Jersey City, NY    Angle of Repose, Poker Flats, Williamstown, MA
This Earth, Southern Utah Museum of Art, Cedar City, UT

2020        Open Air, Luce Gallery, Turin, Italy
The Blurred Discreteness of Colors, Hiram Butler Gallery, Houston, TX
Abstract! Minimalism to Now, Tilton Gallery, New York, NY
Entwined (two-person exhibition), The Ucross Foundation, Ucross, WY

2019        Embodied: Flesh, Fiber, Features, Galleria Ana Marra, Rome, Italy 
The Garden of Cyrus, The Fortnight Institute, New York, NY       
The Land That I Live In, Matthew Brown Gallery, Los Angeles, CA

2018        Complicated Territory: Alex McQuilkin, Erin Riley, Martha Tuttle, Dorsky Gallery Long Island City, NY
Veils, Hiram Butler Gallery, Houston, TX
Sutures, Marc Straus Gallery, New York, NY
Silent Transformations, Deli Gallery, New York, NY
Parallel Practices, Western Connecticut State University, Danbury, CT
A Simple Fraction, Doyers, New York, NY
Alan Shields Project, Van Doren Waxter, New York, NY


2021        Byron Kim and Martha Tuttle: Art and Nature, Storm King Art Center, New Windsor, NY 

2020        The New Social Environment: Martha Tuttle with Susan Harris, The Brooklyn Rail
Lecture for Compositions: Crossing Over, SUNY Purchase, NY
Moderator, The Next American Revolution with Dr. Scott Kurashige, Asia Society, New York, NY
Moderator, The Bridge Called My Back: Writings by Radical Women of Color with Dr. Margo Okazawa Rey, Asia Society, New York, NY

2019     Panel Discussion, Model Minority and Model Majorities, SVA Curatorial Practices, New York, NY
Lecture for Westward: Sculpture & Monumentality in the North American Landscape, SVA, New York, NY

2018        Fiber Optics, Panel Discussion, Dorsky Projects Curatorial, Queens, NY
Language Weavers, Wendy’s Subway Reading Series, Bard Graduate Center, New York, NY
Artist Talk, SUNY New Paltz, New Paltz, NY

2017    Panel Discussion, The Allen Shields Project, Van Doren Waxter Gallery, New York, NY

2016    Tuesday Evenings at the Modern, Modern Art Museum of Fort Worth, Fort Worth, TX
Agnes Martin: Variations of the Faith Mind, SUNY Purchase, Purchase, NY
Panel Discussion, A Life in Art, New Mexico Committee of the National Museum of Women in the Arts, Santa Fe, NM

2014    Becoming Artists: Critique, Originality, and Identity, Yale Art Gallery, New Haven, CT


2021        Printing Artist, Farrington Press, Joshua Tree, CA (forthcoming)

2020    Return to the Field (forthcoming publication with Wendy’s Subway, Brooklyn, NY)
Costumes for Felix Bernstein and Gabe Rubin’s Vomitorium, The Kitchen, Queens, NY

2019         Cover work for Claudia Rankine, The White Card, Graywolf Press

ONGOING    Printing artist with United Limited Art Editions, Bay Shore, NY


Duffy, Owen. “For the Founding of an Institution: Asian Art Archives in America Leadership Camp.” Art & Education, 2021.

Bouhassira, Elza. “New Storm King Art Exhibit Features Glass, Marble, and Glacial History.” Earth Institute, October 7, 2020. 

Bury, Louis. “Martha Tuttle’s Sentient Stones at Storm King.” Hyperallergic, September 5, 2020.

Wally, Maxine. “After Months of Online Viewing Rooms, Outdoor Art Exhibitions Fill the Void.”
W Magazine, September 1, 2020.

Farago, Jason. “Storm King Reopens for the Art-Starved.” New York Times, July 9, 2020. 

Weaver, Shane. “Storm King is reopening this month with brand-new outdoor artworks.” Time Out, July 1, 2020.

Belblidia, Nora. “Softening Social Distancing: Poets and Listeners Connect through ‘Phone Call’.” Baltimore Arts, April 17, 2020.

Leahy, Brian T. “Martha Tuttle.” Artforum, October 2019.

DeLand, Lauren. “Martha Tuttle’s Textiles Merge Modernist Aesthetics with Molecular Theory.” Art in America, September 23, 2019.

Vogel, Maria. “Martha Tuttle Embodies the Natural World.” Art of Choice, January 30, 2019.

MacAdam, Arthur. “Martha Tuttle: I long and seek after.” The Brooklyn Rail, January 7, 2018.

Grabner, Michele. “Martha Tuttle and Henry Chapman: Rhona Hoffman Gallery.” Artforum, November 2017.

Segal, Mark. “Duncan and Burgos at Halsey Mckay.” The East Hampton Star, August 31, 2017.

Kany, Daniel. “Fiber and painting grow closer in exhibit at Able Baker Contemporary.” Portland Press Herald, July 30, 2017.

Schroeder, Nick. “A Show of Support- Able Baker’s ‘Selvedge’ Sees Painting Through a Totally Different Grain.” The Portland Phoenix, July 18, 2017.

“Martha Tuttle.” THE Magazine, April 2016.

Bui, Phong. “Martha Tuttle: Metaxu.” The Brooklyn Rail, February 3, 2016.

Ebony, David. “David Ebony’s Top 10 New York Gallery Shows This Winter.” Artnet news, January 29, 2016


2021     “I question the innocence of the grid,” essay on Agnes Martin for Radius Books, Santa Fe, NM

        Return to the Field, edited collection, Wendy’s Subway, Brooklyn, NY

“On the ‘our’,” in Weaving Language: Lexicon, Artist compilation published by artist Francesca Jones, Portland, OR 

2020         “A New Empathetic Lens: Interview with Virginia Lee Montgomery,” BOMB Magazine

“To my Grandmother,” Best! Letters from Asian Americans in the Arts, Paper Monument Publications

“Online Sculpture: Virtual Edition,” The Brooklyn Rail 

“Is there such thing as Distance?”, contribution for guest critic Bill Goldston, The Brooklyn Rail

“We are nets that plankton pass through,” essay on artist Brie Ruais, Art Asia Pacific

2017    Catalogue essay, Forms of Touch (curated by Becky Nahom), SVA Curatorial, Brooklyn, NY

    “A Bruise is the Momentary at Ease with the Continuous,” review of Byron Kim’s exhibition Mud Root Ochre Leaf Star, Art Critical, Brooklyn, NY

2016        6 September 1986, review of Donald Judd’s collected writings, The Brooklyn Rail


Smith College Museum of Art, Northampton, MA
The University of San Diego, San Diego, CA
The Museum of Modern Art, New York, NY